【行者无疆·津彩化韵】古色津街访民意，木版年画悟匠心

古色津街访民意

木版年画悟匠心

Exploring Public Opinion on Ancient Jin Street

Understanding the Ingenuity in Woodblock New Year Paintings

寻迹非遗，赴文化之约。今天，行者们深入天津的文化街区与艺术社，在街访的烟火气与年画的墨香中，触摸非遗文化的温度与力量。

Seeking traces of intangible cultural heritage, we keep a date with culture. Today, the travelers ventured deep into Tianjin's cultural blocks and art studios. Amidst the bustling atmosphere of street interviews and the ink fragrance of New Year paintings, they felt the warmth and power of intangible cultural heritage.

街头采访，探听民众眼里的“天津非遗”——古文化街

沐浴晨光，行者们步入古文化街，这条有着近40年历史的5A级旅游景区，是展现天津非遗文化的重要窗口。成员分为四组，穿梭于青砖朱檐间，用街访串联起民众与非遗的情感联结。

从非遗景点体验到非遗文化理解，对话由浅入深，让行者感受到了受访者们对非遗文化传承的热忱。有人细数泥人张美术馆的精妙泥塑，有人回味吹糖人体验的指尖乐趣，更有人提及古街中驻足的国际友人——这些身影让“非遗国际化”不再是空泛的概念，而成为看得见的文化共鸣。大家谈及非遗时眼中的光亮，印证着“发展非遗助力城市软实力”的共识

Street Interviews: Exploring "Tianjin's Intangible Cultural Heritage" in the Eyes of the Public – Ancient Culture Street

Bathed in the morning light, the travelers stepped into Ancient Culture Street. This 5A-level tourist attraction, with a history of nearly 40 years, serves as a vital window to showcase Tianjin's intangible cultural heritage. The team split into four groups, wandering among the gray-brick and red-eave buildings, using street interviews to forge an emotional bond between the public and intangible cultural heritage.

From experiences at intangible cultural heritage sites to understanding of intangible cultural heritage culture, the conversations deepened gradually, making the travelers feel the interviewees' passion for inheriting intangible cultural heritage. Some recounted the exquisite clay sculptures in the Niren Zhang Art Gallery; some recalled the joy of experiencing sugar blowing at their fingertips; others mentioned the international friends stopping by the ancient street – these figures made "the internationalization of intangible cultural heritage" no longer an empty concept but a visible cultural resonance. The sparkle in people's eyes when talking about intangible cultural heritage confirms the consensus that "developing intangible cultural heritage enhances a city's soft power."

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木版年画，体验笔尖勾绘的“丹青传承”——杨柳青文成阁年画剪纸艺术社

午后，行者们来到杨柳青文成阁学习木版年画。王琳杰老师图文并茂地将木版年画的发展历程娓娓道来，“先有杨柳青，后有天津卫”的俗语反映了年画与城市的血脉联系；“家家会点染，户户善丹青”是年画发展鼎盛时期的生动诠释。从王树村的门神作品到素彩年画的清雅，从融入自行车、飞机的时代印记到“小年画，大乾坤”的深刻内涵，年画始终是百姓生活的镜像。而新中国成立后，在政策支持下，年画再度发展，更让其成为时代的注脚，即便曾被胶质年画冲击，依然凭借“勾、刻、印、绘、裱”的五步工艺传承至今。

随后，在《莲年有余图》的线稿作品上，行者们调制水彩为其上色，平涂、渐变、混色，一层又一层，在一笔一画的晕染中，大家体会到了“画中必有戏，百遍看不腻”的韵味。

Woodblock New Year Paintings: Experiencing "Inheritance of Danqing" Through Brushstrokes – Yangliuqing Wenchengge New Year Painting and Paper-Cutting Art Studio

In the afternoon, the travelers visited Yangliuqing Wenchengge to learn about woodblock New Year paintings. Teacher Wang Linjie vividly told the development history of woodblock New Year paintings with illustrations and texts. The saying "Yangliuqing came before Tianjin Wei" reflects the blood connection between New Year paintings and the city; "Every family can paint, every household is skilled in danqing" is a vivid interpretation of the heyday of New Year paintings.

New Year paintings have always been a mirror of people's lives. After the founding of New China, with policy support, New Year paintings developed again, making them a footnote of the times. Even though they were once impacted by glue-based New Year paintings, they have been inherited to this day relying on the five-step craftsmanship of "drawing, carving, printing, painting, and mounting."

Later, on the line drawing of Picture of Abundant Years and Surplus Every Year, the travelers mixed watercolors to color it – flat coating, gradient, color mixing, layer after layer. In the rendering of each stroke, everyone realized the charm of "there must be a story in the painting, which is never boring to watch a hundred times."

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从街头巷尾的文化感知到杨柳青艺术社的技艺传承，非遗的生命力既藏于历史深处，更活在当下实践中。这份探寻，是行者对文化根脉的触摸，更是对传承使命的践行。

From the cultural perception in streets and alleys to the inheritance of craftsmanship in Yangliuqing Art Studio, the vitality of intangible cultural heritage lies not only in the depths of history but also in current practices. This exploration is not only the travelers' touch on cultural roots but also their practice of the mission of inheritance.

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来源 | 行者无疆实践团

文字 | 行者无疆实践团

图片 | 行者无疆实践团

编辑 | 张瑶琪

审核 | 杩健辉张瑶琪李凌志

责编 | 邹靓靓周亮

行者无疆邀你共赴匠心之约！

【行者无疆·津彩化韵】个人实践感悟——周子斐

【行者无疆·津彩化韵】个人实践感悟——肖盛强